Friday, 23 December 2016

NORTHWEST ANATOLIA TOUR



BITHYNIA
It can be easily said that one of the most important city is Istanbul in Anatolia mainly in border of Bithynia. This largest city having today around 20 million population which is 16% of Turkey's population. And the 3rd largest metropolitan area in Europe. It is located on the Bosphorus Strait and encricles the natural harbour known as the Golden Horn, locating on the northwest of the country. It extends both on the European and on the Asian sides of the Bosphorus thereby it is the only metropolis in the world that is situated on two continents.





The history begins around 660 BC when the settlers from Megara under the command of King Byzas established on the European side of the Bosphorus. The city experienced a brief period of Persian rule around 5th century BC. Byzantium officially became a part of the Roman Empire in AD 73.  Finally in 330 AD it was officially declared the capital of the Roman Empire. Although the city was initially called the Second Rome or New Rome, these names were soon forgotten to be replaced by "Byzantium" and in later ages by "Constantinopolis". 


The Latin invasion was a dark page in the history of Istanbul. It started with the invasion of the city by the armies of the Fourth Crusade in 1204. increasing threats of the expanding Ottoman Empire finally came to an climax when, following a siege of fifty-three days in 1453, the city was captured by the Turks. The Imperial Topkapi Palace built on the site of the old acropolis commands an extraordinarily beautiful view of the Bosphorus and the Golden Horn. As a result of closer contacts with the West, mosques and palaces in European style were built along the shores of the Bosphorus by the 19th century. Till Republic Era it was capital city of Ottoman Empire.

After having some information about İstanbul we can start our trip. Almost from any country there is a direct flight to İstanbul. It would be offered to arrive at night so you refresh yourself for morning program. Be ready to spend whole day in Sarayburnu. Sarayburnu is a promontory separating the Golden Horn and the Sea of Marmara in Istanbul. The area is where the renowned Hippodrome, Topkapı Palace, Hagia Sophia, Blue Mosque and Cistern locate.



The Hippodrome of Constantinople was a circus that was the sporting and social centre of Constantinople, capital of the Byzantine Empire. Today it is a square named Sultan Ahmet Square in the Turkish city of Istanbul, with only a few components of the original structure surviving. Let’s see them.


The German  Fountain is located in Sultanahmet Square in Istanbul across from the Mausoleum of Sultan Ahmed I. It was constructed to commemorate the second anniversary of the German Emperor Wilhelm II's visit to Istanbul in 1898. It was officially opened January 27, 1901, on the birthday of German Emperor Wilhelm II. built in Germany, then transported piece by piece. The Neo-Renaissance style of fountain's octagonal dome features eight marble columns, and the interior is covered with golden mosaics. The Neo-Renaissance style of the octagonal fountain stands on a high floor with a staircase of eight stairs, seven brass faucets and covering its reservoir. The exterior bronze green dome which stands these over eight porphyry columns and  the dome's interior surface are decorated with golden mosaics as well as with Abdülhamid II's tughra and Wilhelm II's symbol.



The Obelisk was first set up by Tutmoses III (1479–1425 BC) to the south of the seventh pylon of the great temple of Karnak. The Roman emperor Constantius II (337-361 AD) had it and another obelisk transported along the river Nile to Alexandria to commemorate his ventennalia or 20 years on the throne in 357. The other obelisk was erected on the spina of the Circus Maximus in Rome in the autumn of that year, and is today known as the Lateran obelisk, whilst the obelisk that would become the obelisk of Theodosius remained in Alexandria until 390, when Theodosius I (378-392 AD) had it transported to Constantinople and put up on the spina of the Hippodrome there.





The Serpent Column is one of the oldest monuments in Istanbul. The heads of the three intertwined serpents used to form the legs of a gold cauldron. The thirty-one Greek cities, which defeated the Persians in 5th century, BC melted the bronze items they had captured to create this unique monument. The 8-meter high column originally stood before the Temple of Apollo in Delphi. It was brought to Istanbul in 324 by Constantine and erected in the middle of the Hippodrome. The heads of the serpents, intact until 1700, disappeared at that time. One of the missing heads was later found and it is now on display at the Archeological Museum.



Walled Obelisk; in the 10th century the Emperor Constantine Porphyrogenitus built another obelisk at the other end of the Hippodrome. The 32 meter-high obelisk was originally covered with gilded bronze plaques, but they were sacked by Latin troops in the Fourth Crusade. The stone core of this monument also survives, known as the Walled Obelisk.


Blue Mosque; Near the Hippodrome, one of the best architectural building is rising called Sultan Ahmet Mosque, "Blue Mosque". It was built from 1609 to 1616, during the rule of Ahmed I. Like many other mosques, it also comprises a tomb of the founder, a madrasah and a hospice. The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque and Byzantine church development. It includes some Byzantine elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect has synthesized the experiences of its master Mimar  Sinan, aiming for overwhelming size, majesty and grandeur. It has 6 minarates along with 8 domes and 1 main one.






Exterior;  The court is about as large as the mosque itself and is surrounded by a continuous vaulted arcade. It has ablution facilities on both sides. The central hexagonal fountain is rather small in contrast with the sizes of the courtyard. The monumental but narrow gateway to the courtyard stands out architecturally from the arcade. Its semi-dome has a fine stalactite structure, crowned by a small ribbed dome on a tall tholobate.


Interior; At its lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade ceramic tiles, made at Iznik in more than fifty different tulip designs. The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representations of flowers, fruit and cypresses.The upper levels of the interior are dominated by blue paint. More than 200 stained glass windows with intricate designs admit natural light, today assisted by chandeliers. On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders.

The most important element in the interior of the mosque is the mihrab, which is made of finely carved and sculptured marble, with a stalactite niche and a double inscriptive panel above it. To the right of the mihrab is the richly decorated or pulpit, where the Imam stands when he is delivering his sermon at the time of noon prayer on Fridays or on holy days.
The mosque has been designed so that even when it is at its most crowded, everyone in the mosque can see and hear the Imam. The many lamps inside the mosque were once covered with gold and gems. Among the glass bowls one could find ostrich eggs and crystal balls. All these decorations have been removed or pillaged for museums. The great tablets on the walls are inscribed with the names of the caliphs and verses from the Quran, originally by the great 17th-century calligrapher Ametli Kasım Gubarım, but they have frequently been restored.



Now it is time to visit Topkapı Palace.

The Topkapı Palace is the biggest palace in Turkey, that was the primary residence of the Ottoman Sultans for approximately 400 years of their 624-year reign. As well as a royal residence, the palace was a setting for state issues and royal entertainments. It is now a main tourist attraction and contains important holy relics of the Muslim world including the Prophet Muhammed's cloak and sword.
The Topkapı Palace is among the monuments contained within the "Historic Areas of Istanbul", which became a UNESCO World Heritage Site in 1985.
Construction started in 1459, order of Sultan Mehmed II, the conqueror of Byzantine Constantinople. The palace complex consists of four main courtyards and many smaller buildings. At its peak, the palace was home to as many as 4,000 people and covered a large area with a long shoreline. 
The palace complex has hundreds of rooms and chambers but only the most important are accessible to the public today. The palace includes many fine examples of Ottoman architecture. It contains large collections of porcelain, robes, weapons, shields, armor, Ottoman miniatures, Islamic calligraphic manuscripts and murals, as well as a display of Ottoman treasures and jewelry.



PALACE’S VISITING PLAN
The palace compound, seen from above is a rough rectangle, divided into four main courtyards and the harem.

1-         The First Courtyard of the Topkapi Palace
The Imperial Gate or Bab-i-Humayun; The main entrance to the first courtyard, known as the "Courtyard of the Regiments" is through the Imperial gate known as Bab-i-Humayun. The portal of Bab-i-Humayun is flanked by two towers built during the time of Sultan Mehmet II.





Fountain of Sultan Ahmed III; The fountain just outside the gate is the fountain of Sultan Ahmed III, which is the most striking sample of 18th century.







The Service Buildings, The Tiled Pavilion, The Archaeological Museum, Haghia Eirene Church; Around the periphery of the first courtyard were the service buildings, which included a hospital, bakery, mint, accommodation for palace servants and guards and the firewood depots. .
A building of significance in this courtyard was the Cinili Kosk, the first building constructed in the Topkapi Palace complex and which is now a ceramics museum, exhibiting Turkish ceramics from the 12th century to the present day.
 Next to the tiled pavilion is the Archaeological Museum which houses one of the most outstanding collections in the world and consists of archeological exhibits dating from ancient Byzantine period.


 
2-         The Second Courtyard


Babus-selam or the Gate of Salutation; From the first courtyard to the second courtyard is through the gate known as the Orta Kapi or Babusselam meaning "the gate of greeting" or the "peace gate."






The Chamber of State Buildings; The administrative center of the state and the government, the "Chamber of State" are placed in this courtyard, on the left as one enters through the Babusselam. The "Council of State" met four days in a week under the chairmanship of the Grand Vizier. Other participants at the meetings were the Viziers and their secretaries.




The State Treasury Buildings, a Display House for Old Weapons; The large eight-domed building adjoining the "Council of State" buildings were the state treasury. Today this building houses an exhibition of a rich collection of old weapons.
 The Palace Kitchens, Display Area for The World's Largest Collection of Porcelain Ware; On the right periphery of the second courtyard is the row of palace kitchens, with twenty chimneys. It is said that during the period of rule of the Sultans, the palace kitchens employed over a thousand cooks and assistants who cooked and served meals to the different sections of the palace.
Today the restored palace kitchens have been altered to an exhibition hall that displaying about 2,500 pieces out of a total of 12,000 pieces, the largest collection of porcelain ware, glassware and silverware in the world.

The Harem; Harem which in Arabic means forbidden, refers to a stricted area in the palace which is the living quarters of the sultan and his family, which includes his mother, brothers, sons and daughters, his female consorts and their woman servants. Other residents of this restricted area were an elite corps of male guardians who were castrated black slaves from Ethiopia, commonly referred to as eunuchs acting as servants and administrators of the harem.

The sultan's mother was the sole ruler of the harem and there was no title in the empire as the "Empress" normally found in western monarchies. The harem consists of long narrow hallways, with about 400 rooms scattered around small courtyards.



3-         The Third Courtyard
Entry to the third courtyard from the second is through the "Babus-sade" or the "Gate of Felicity," which was guarded by the white soldiers. The third courtyard was the private place of the sultan and therefore entry was restricted to the sultan, who normally passed through "Babus-sade" on horseback and only a favored handful of statesmen.  Important buildings in this courtyard were the throne room, the sultan's treasury, the sacred relics chambers, the imperial university and the library of Ahmet III.
 The Throne Room or the Audience Chamber; The throne room or the audience chamber which was situated very close to the "Babus-sade"  was the place where the sultan met high government officials and received foreign ambassadors.

 

The Library of Ahmet III; Just after the audience chamber almost at the center of the courtyard is the library built by Ahmed III in the early 18th century. This building is a typical example of a structure that blends harmoniously the baroque and Turkish architectural styles.




The Imperial University; The buildings on the right side of the audience room were the classrooms and of the Imperial University where was a training school for growing up civil servants who after graduation were posted to positions of responsibility in the government.




The Imperial Costume Collection; Today these buildings that served as the Imperial school, houses the Imperial costume section of the Topkapi Palace. These imperial costumes were made of fabric that were woven in the palace looms, and embroidered with silk. gold and silver thread.



The Treasury; The former treasury of the sultan has been changed today to the treasury of the Topkapi Museum which including jewels and jewelry, jewel-encrusted thrones, jewel-encrusted daggers and other objects, enameled objects. There are main four rooms, portrait and miniature room, clock room, the sacred relics chamber.



4-         The Fourth Courtyard
Access from the 3rd to the 4th courtyard is by a passage. The 4th court yard is located with several pavilions surrounded by gardens.
One pavilion in this courtyard is the "Revan Pavilion"  which is the only wooden pavilion in the palace complex, and built by architect Koca Kasim in 1635.
The "Baghdad Pavilion" also built by Koca Kasim in 1639 is an octagonal-shaped pavilion much bigger than the "Revan Pavilion."
Between the "Revan pavilion" and the "Baghdad Pavilion" is the circumcision room and the place where the Sultans normally broke their daily fasting at sunset during the month of fasting (Ramazan).
The Mecidiye Pavilion at the right extreme corner of the courtyard was the last addition to the palace.
After unforgottable moments in Topkapı, it is recommended to visit Hagia Sophia Mosque next to Topkapı Palace.


Hagia Sophia is known as the “Great Church” or “Magna Ecclesia” in Latin, the first church was built at the same location where there had been a pagan temple before. It was Constantius II who inaugurated Hagia Sophia on 15 February 360. From the chronicles of Socrates of Constantinople, we know that the church was built by the orders of  Constantine the Great. This first church was a wooden-roofed basilica with a nave flanked by two or four aisles, each carrying a gallery storey. It was foregone by an atrium. This church was largely burned down in 404.





After the first church’s being destroyed, Theodosius II ordered it to be repaired and inaugurated the second church on 10 October 405. Only a short time after the destruction of the second church, Justinian the Great suppressed the rebellions and set about rebuilding what was damaged and destroyed. More than ten thousand people worked for the construction and the third church was inaugurated by the emperor on 27 December 537. The mosaics were finished later on during the reign of Justin II (565-578).
 



The prophet of God in Muslim religion, Muhammad, had prophesied that the first Muslim to pray in Hagia Sophia would go to paradise. Since then, it was a great ambition for Muslim leaders to get Hagia Sophia.

The church has a rectangular shape, and vast square nave measuring 31m is covered with a central dome that is carried on four pendentives. The arcade around the dome is unbroken with 40 arched windows to bring the light inside. Excluding the two narthexes and the large atrium, the basilica measures 70 x 75 m (229 x 245 ft). The atrium measures 48 x 32 m (157 x 106 ft) and the total length of the construction measures 135 m (442 ft). The narthex outside at the eastern part of atrium is enclosed, and the inner narthex is entered by 5 doors and from this inner narthex there are 9 doors to the nave.The accesses to upper galleries are provided by ramps, which are traditional feature of Constantinopolitan church planning. Hagia Sophia was beautifully decorated with mosaics within the centuries during Byzantine period. These mosaics depicted Virgin Mary, Jesus, saints and emperors or empresses. The history of the earliest mosaics is unknown as many of them were destroyed or covered during Iconoclasm.



Finally on this day Yerebatan Cistern can cen be visited which lies beneath Istanbul hundreds of gloomy Byzantine cisterns. They're left from the days when Istanbul was Constantinople. The grandest of all is the Basilica Cistern so called because it lay beneath the Stoa Basilica, a grand Byzantine public square. It's also called the Sunken Palace Cistern because that's what it looks like. Whatever you call it, it's impressive because of its size, measuring 138 meters long and 64.6 meters wide, covering nearly 1000 square and its 336 marble columns.

Built by Justinian after  532, the Basilica Cistern stored water for the Great Palace and nearby buildings. Lost to memory, it was rediscovered by Petrus Gyllius, who came to Constantinople in search of Byzantine monuments. Gyllius, who noticed that local people got their water by lowering buckets through holes in the floors of their houses, found an entrance and thus put it back on the map. The Ottomans used it to supply Topkapı Palace.



For second day, it is suggested to have Bosphorus Boat Tour which starts mainly Eminönü, Kadıköy, Yenikapı.

One of the best activities in Istanbul without doubt cruise between Europe and Asia continents. We are going to see all attractive buildings by cruise taking 3 hours starting in Eminonu from south to north side.





On our lesft side as first building Galata Tower can be seen. The Galata Tower by the Genoese, is a medieval stone tower in the Galata  /Karaköy quarter of Istanbul, Turkey, just to the north of the Golden Horn. One of the city's most striking landmarks, it is a high, cone-capped cylinder that dominates the skyline and offers a panoramic vista of Old Istanbul and its environsThe tower was built as Christea Turris  in 1348 during an expansion of the Genoese colony in Constantinople. The nine-story tower is 66.90 meters tall (62.59 m without the ornament on top, 51.65 m at the observation deck), and was the city's tallest structure when it was built. The elevation at ground level is 35 meters above sea-level. The tower has an external diameter of 16.45 meters at the base, an 8.95 meters diameter inside, and walls that are 3.75 meters thick.
There is a restaurant and café on its upper floors which command a magnificent view of Istanbul and the Bosphorus. Also located on the upper floors is a night club which hosts a Turkish show. There are two operating elevators that carry visitors from the lower level to the upper levels. The upper section of the tower with the conical cap was slightly modified in several restorations during the Ottoman period when it was used as an observation tower for spotting fires.




Then Dolmabahce Palace can be seen. The Dolmabahçe Palace located in the Beşiktaş district of Istanbul, Turkey, on the European coastline of the Bosphorus strait, served as the main administrative center of the Ottoman Empire from 1856 to 1922, apart from a 22-year interval (1887–1909) in which Yıldız Palace was used. Dolmabahçe Palace was ordered by the Empire's 31st Sultan, Abdülmecid I, and built between the years 1843 and 1856. The construction cost five million Ottoman mecidiye gold coins, the equivalent of 35 tonnes of gold. Fourteen tonnes of gold in the form of gold leaf were used to gild the ceilings of the 45,000 square metre monoblock palace, which stands on an area of 110,000 m².

Dolmabahçe Palace was home to six Sultans from 1856, when it was first inhabited, up until the abolition of the Caliphate in 1924: The last royal to live here was Caliph Abdülmecid Efendi. A law that went into effect on March 3, 1924 transferred the ownership of the palace to the national heritage of the new Turkish Republic. Mustafa Kemal Atatürk, the founder and first President of the Republic of Turkey, used the palace as a presidential residence during the summers and enacted some of his most important works here. Atatürk spent the last days of his medical treatment in this palace, where he died on November 10, 1938.
The world's largest Bohemian crystal chandelier is in the center hall. The chandelier, a gift from Queen Victoria, has 750 lamps and weighs 4.5 tonnes. Dolmabahçe has the largest collection of Bohemian and Baccarat crystal chandeliers in the world, and one of the great staircases has bannisters of Baccarat crystal.   

A visit to the Dolmabahce Palace begins at the Medhal Hall. Rooms leading off the Medhal are towards the sea and the land. The rooms facing the sea were used by the leading Ottoman officials, the Grand Vizier and the other state ministers, while the rooms facing the land were used by various administrators of the palace and the state, such as the Palace Marshall, Şeyhülislam, and members of the House of Representatives, Meclis-i Mebusan and the SenateM, Meclis-i Ayan.

Next to it Ciragan Palace can be seen.  The Cirağan Palace, a former Ottoman palace, is now a five-star hotel of the Kempinski Hotels chain. It is located on the European shore of the Bosporus between Beşiktaş and Ortaköy in Istanbul. The palace, built by Sultan Abdülâziz, was designed by the architect Nigoğayos Balyan and constructed by his sons Sarkis and Hagop Balyan between 1863 and 1867. This was a period in which all Ottoman sultans used to build their own palaces rather than using those of their ancestors. Çırağan Palace is the last example of this period. The inner walls and the roof were made of wood, the outer walls of colorful marble.
The palace is connected with a beautiful marble bridge to the Yıldız Palace on the hill behind. A very high garden wall protects the palace from the outer world.The construction and the interior decoration of the palace continued until 1872. After he moved in, Sultan Abdülâziz was, however, not able to live long in his magnificent palace. He was found dead in the palace on May 30, 1876, shortly after he was dethroned. His successor, his nephew Sultan Murad V, moved into Çırağan Palace, but reigned after only 93 days. He, who was deposed by his brother Abdülhamid II due to alleged mental illness, lived here under house arrest until his death on August 29, 1904.
During the Second Constitutional Monarchy, Sultan Mehmet V Reşat allowed the parliament to hold their meetings in this building. Only two months after, on January 19, 1910, a great fire destroyed the palace, leaving only the outer walls intact. Called "Şeref Stadı", the place served for many years as a football stadium for the club Beşiktaş J.K. In 1989, the ruined palace was bought by a Japanese corporation, which restored the palace and added a modern hotel complex next to it in its garden. Today, it serves as luxury suites for the five-star Kempinski hotel along with two restaurants that cater to guests. The Palace was renovated again during the first quarter of 2007, now resembling the authentic palace with the baroque style and soft colors.


While watching beatufil view of Istanbul another building is meeting with us, Ortakoy Mosque. The Ortakoy Mosque is situated on the waterside of the Ortaköy pier square in the Beşiktaş District, one of the most popular locations on the Bosphorus. The mosque was built on the order of Abdulmecid (1839-1861), the ruler of the Ottoman Empire, and was constructed by the Nigoğos Balyan in 1853. It was during the same century that the mosque rose to a higher level of importance on the European side of Istanbul. It is also known as “Great Mecidiye Mosque” and is one of the most beautiful samples of the Baroque architecture in Istanbul.
Previously, there was a little mosque built by Mahmut Ağa, the son-in law of the Vizier Ibrahim Paşa, on the former site of the mosque. The little mosque built in 1721 but was destroyed during the revolt of Patrona Halil in 1730. The current mosque, which was erected in its place, was greatly damaged during the earthquake of 1894, and the spire of the minaret needed to be rearranged. When it was understood that the building was in danger of collapsing in 1960, ground reinforcement efforts were carried out. After the conflagration in 1984, it was completely restored and reattained its previous magnificence.


The last building on Europe side is Rumeli Fortress. The Rumelihisarı is a fortress located in the Sarıyer district of Istanbul, Turkey, on a hill at the European side of the Bosphorus. It gives the name of the quarter around it. It was built by the Ottoman Sultan Mehmed II between 1451 and 1452, before he conquered Constantinople. The three great towers were named after three of Mehmed II's viziers, Sadrazam Çandarlı Halil Pasha, who built the big tower next to the gate, Zağanos Pasha, who built the south tower, and Sarıca Pasha, who built the north tower.

Rumeli hisarı is situated at the narrowest point with 660 meters of the Bosphorus strait, just opposite of Anadoluhisarı on the Anatolian side. The Rumelihisarı was built by Sultan Mehmed II between 1451 and 1452 in order to control the sea traffic on the Bosphorus strait and prevent aid from the Black Sea to reach Constantinople during the Turkish siege of the city in 1453, particularly from the Genoese colonies such as Caffa, Sinop and Amasra.
Just opposite of it Anadolu Fortress can be seen while we are turning to Asia Side. The Anadoluhisarı, Anatolian Castle is a fortress located in Istanbul, Turkey on the Anatolian (Asian) side of the Bosporus, which also gives its name to the quarter around it. It was built between 1393 and 1394 by the Ottoman sultan Bayezid I "The Thunderbolt" as part of his preparations for the Second Ottoman Siege of Constantinople, which took place in 1395. Anadoluhisarı, constructed on an area of 7,000 m², is situated at the narrowest point with 660 m of the Bosporus strait and next to a creek named The Fatih Sultan Mehmet Bridge, the second bridge spanning Bosporus, is located just north of the fortress. Another fortress, Rumelihisarı, was built between 1451 and 1452 by Sultan Mehmed II opposite of Anadoluhisarı on the European side in order to obtain absolute control over the sea traffic of the Bosporus Strait, which was especially vital for the Genoese in Galata, who were allied with the Byzantines and had colonies in the Black Sea such as Caffa, Sinop and Amasra.

After Anadolu Fortress Beylerbeyi Palace can be seen. The Beylerbeyi Palace is located in the Beylerbeyi neighbourhood of Istanbul, Turkey at the Asian side of the Bosphorus. An Imperial Ottoman summer residence built in the 1860s, it is now situated immediately north of the 1973 Bosphorus Bridge. Beylerbeyi Palace was commissioned by Sultan Abdülaziz (1830–1876) and built between 1861 and 1865 as a summer residence and a place to entertain visiting heads of state. Empress Eugénie of France visited Beylerbeyi on her way to the opening of the Suez Canal in 1869 and had her face slapped by the sultan's mother for daring to enter the palace on the arm of Abdülaziz. (Despite her initial reception, Empress Eugénie of France was so delighted by the elegance of the palace that she had a copy of the window in the guest room made for her bedroom in Tuileries Palace, in Paris.) Other regal visitors to the palace included the Duke and Duchess of Windsor.




Before arriving Eminonu as last we see Maiden Tower. The Maiden's Tower, also known as Leander's Tower (Tower of Leandros) since the medieval Byzantine period, is a tower lying on a small islet located at the southern entrance of the Bosphorus strait 200 m. from the coast of Üsküdar in Istanbul, Turkey. After the naval victory at Cyzicus, the Ancient Athenian general Alcibiades possibly built a custom station for ships coming from the Black Sea on a small rock in front of Chrysopolis (today's Üsküdar).  On this site In 1110 Byzantine Emperor Alexius Comnenus built a wooden tower protected by a stone wall.  From the tower an iron chain stretched across to another tower erected on the European shore, at the quarter of Mangana in Constantinople.
After the conquest of the city, Sultan Mehmet II used the structure as a watch tower. The tower, mistakenly known as Leander's Tower after the legend of Hero and Leander (which took place in the Dardanelles), was destroyed during the earthquake of 1509, and burned in 1721. Since then it was used as a lighthouse, and the surrounding walls were repaired in 1731 and 1734, until in 1763 it was erected using stone. From 1829 the tower was used as a quarantine station, and in 1832 was restored by Sultan Mahmud II.  Restored again by the harbour authority in 1945, the most recent restoration took place in 1998, when steel supports were added around the ancient tower as a precaution after the 17 August 1999 earthquake.
The interior of the tower has been transformed into a popular café and restaurant, with an excellent view of the former Roman, Byzantine and Ottoman capital. Private boats make trips to the tower several times a day.
There are many legends about the construction of the tower and its location. According to the most popular Turkish legend, a sultan had a much beloved daughter. One day, an oracle prophesied that she would be killed by a venomous snake on her 18th birthday. The sultan, in an effort to thwart his daughter's early demise by placing her away from land so as to keep her away from any snakes, had the tower built in the middle of the Bosphorus to protect his daughter until her 18th birthday. The princess was placed in the tower, where she was frequently visited only by her father. On the 18th birthday of the princess, the sultan brought her a basket of exotic sumptuous fruits as a birthday gift, delighted that he was able to prevent the prophecy. Upon reaching into the basket, however, an asp that had been hiding among the fruit bit the young princess and she died in her father's arms, just as the oracle had predicted. Hence the name Maiden's Tower.




After enjoyable cruise it is recommended to visit other the most famous museum, Chora Museum. The Church of the Holy Saviour in Chora is considered to be one of the most beautiful examples of a Byzantine church. The church is situated in Istanbul, in the Edirnekapı neighborhood, which lies in the western part of the municipality of Fatih. In the 16th century, the church was converted into a mosque by the Ottoman rulers and it became a secularised museum in 1948. The interior of the building is covered with fine mosaics and frescoes.
The last part of that name, Chora, referring to its location originally outside of the walls, became the shortened name of the church. The original church on this site was built in the early 5th century, and stood outside of the 4th century walls of Constantine the Great. However, when Theodosius II built his formidable land walls in 413–414, the church became incorporated within the city's defences, but retained the name Chora.
The majority of the fabric of the current building dates from 1077–1081, when Maria Dukaina, the mother-in-law of Alexius I Comnenus, rebuilt the Chora Church as an inscribed cross or quincunx: a popular architectural style of the time. Early in the 12th century, the church suffered a partial collapse, perhaps due to an earthquake.

The church was rebuilt by Isaac Comnenus, Alexius's third son. However, it was only after the third phase of building, two centuries after, that the church as it stands today was completed. The powerful Byzantine statesman Theodore Metochites endowed the church with much of its fine mosaics and frescos. Theodore's impressive decoration of the interior was carried out between 1315 and 1321. The mosaic-work is the finest example of the Palaeologian Renaissance. The artists remain unknown. In 1328, Theodore was sent into exile by the usurper Andronicus III Palaeologus. However, he was allowed to return to the city two years later, and lived out the last two years of his life as a monk in his Chora Church.
Around fifty years after the fall of the city to the Ottomans, Atık Ali Paşa, the Grand Vizier of Sultan Bayezid II, ordered the Chora Church to be converted into a mosque , Kariye Camii. Due to the prohibition against iconic images in Islam, the mosaics and frescoes were covered behind a layer of plaster. This and frequent earthquakes in the region have taken their toll on the artwork.

Interior; The Chora Church is not as large as some of the other Byzantine churches of Istanbul (it covers 742.5 m²), but what it lacks in size, it makes up for in the beauty of its interior. The building divides into three main areas: the entrance hall or narthex, the main body of the church or naos, and the side chapel. The building has six domes: two in the esonarthex, one in the parecclesion and three in the naos.

Narthex; The main, west door of the Chora Church opens into the narthex. It divides north-south into the exonarthex and esonarthex. Mosaics of the enrollment for taxation before Governor Quirinius.

The exonarthex  is the first part of the church that one enters. It is a transverse corridor, 4 m wide and 23 m long, which is partially open on its eastern length into the parallel esonarthex. The southern end of the exonarthex opens out through the esonarthex forming a western ante-chamber to the parecclesion.

For the rest of day, providing that you want to prolong your vacation you can visit other historical places such as Istanbul Archaeology Museum in Sultan Ahmet, Museum of Turkish and Islamic Art in Sultan Ahmet, Grand Bazaar in Beyazit, Suleymaniye Mosque in Suleymaniye, Pierre Loti Hill in Halic.


After visiting marvellous İstanbul, it is suggested to visit either Edirne Province where you will be able to see one of the most important historical monument Selimiye Mosque or Bursa Province where it is suggested to visit The Green Mosque, symbol of Bursa, Trilye village in Mudanya and Cumalıkızık Village where the old Turkish houses to be seen. After experiencing unforgettable moments in both cities, route is turned to Çanakkale where legendary Troy, Assos and great Pergamon lie. Below information is already prepared for you.

BURSA



 
Known as "Green Bursa", this province lies on the lower slopes of  Uludag 2543 m. where is 262 km.far from İstanbul by road or you can choose to go there by ferry from İstanbul Yenikapı to Bursa in 1.5 hr. And it can be recommended to visit Bursa daily during your vacation in İstanbul.







The title "Green" of Bursa comes from its
gardens and parks and of course from its being in the middle of an important fruit cultiviting region. In Bursa there are things you should not miss. First of all you are suggested to taste of the delicious "Iskender Kebap". The candied chestnuts are a specialty and have an unforgettable taste. The peaches of Bursa are unique. Bursa is a center of the silk trade and towel manufacturing in Turkey. It is also the home of the very famous Turkish folklore figures, Karagoz and Hacivat. Because of its being the first Ottoman capital, Bursa is very rich in religious monuments, mosques and tombs, baths.
Something you will enjoy in Bursa are the warm, mineral-rich springs; indeed most of the hotels in this province have thermal bath facilities. The Turkish baths "hamam" are great places which should be visited in Bursa. As for souvenirs you should visit the Covered Bazaar, "Bedesten", or the Koza Han a selective building and also a center of silk trade. It is certain that Bursa will take some of time for you to see and add some more delightful experiences to your memories.
Uludag is the largest and most celebrated winter-sports center in Turkey. It is 36 kms from Bursa and easily accessible by car or cable-car. The area is also a national park and is worth a visit at any time of the year. The accommodation is high quality offering the opportunity to enjoy with a variety of entertainment and sports activities.

Iznik (Nicaea) lies 85 km northeast of Bursa, at the eastern tip of Lake Iznik where the Iznik tiles were the basic decorative element of Seljuk and Ottoman architecture. The turquoise-tiled Yesil Mosque and Nilufer Hatun imareti are among the Islamic works in the town.


THE GREEN MOSQUE

The Yeşil Mosque can be shown as the perfect blend between architecture and embellishment, the proof that such works of art were produced in a country where the battles between siblings had come to an end and peace had returned. It was commissioned by Sultan Mehmed I Çelebi and completed in December 1419 or January 1420. The mosque was built between 1419–1421 by architect vezir Hacı İvaz Pasha.
The architectural style known as Bursa Style begins with Yeşil Cami. The mosque is based on a reverse T-plan with a vestibule at the entrance leading to a central hall flanked by eyvans on the east and west and a larger eyvan with mihrab niche on the south. Two small eyvans flank the entryway above which the royal box is located. There are four rooms with fireplaces to the north and south of side eyvans accessed through the vestibule and the central hall respectively. Stairs on both sides of the vestibule lead to the upper floor where the royal lodge and two adjacentt rooms for the royal women are located. Here a passage opens to the balconies on the northern facade where the minaret steps begin.



The large entrance to the mosque is flanked by recessed marble sofas with twin cubby-holes (papuçluks) for the shoes. Above the door is a long Arabic inscription in bronze. The door is crowned by a half- dome with a cascade of mocárabe (stalactites) that taper into a star. The flat face of the half-dome, set in a ribbed frame, is adorned with arabesques and inscriptions in Rumi scripts. Between the inscription and the mocárabes is a small window that lights the floor of the foyer to the sultan's box. Above the niches on each side of the entrance door is an inscription dedicated to Hacı İvaz, son of Ahi Beyazit who designed the mosque. As Ahi Beayzit was the prefect and later the governor of Bursa, it not likely that he would have been the architect. But he would have concerned with overseeing the work. The builder would probably have relied on the teamwork and the craftsmanship of the Mason's Guild to execute his plans.
Beneath the central dome, the sculted white marble fountain within an octagonal pool adds to the beauty of the mosque. On one's left and right side are two large eyvans. The walls of the inner vestibule are covered with dark green tiles and on each side, a great circle filled with blue, white and golden-yellow arabesques of tendrils and flowers.

The interior of the mosque is decorated with a mosaic of blue-green tiles on the walls and ceiling of the eyvans from which it gets its name. One ascends from the vestibule to prayer hall via three steps. This stair is flanked on each side by three cubby-holes (papuçluk) for slippers. This shows the vestibule was paved and not carpeted as nowadays. Opposite stands the mihrab, the gate to paradise, with its moulded tile frame. Its niche is crowned by twelve rows of mocárabe, coming together in a six-ribbed shell on top. The intricate pattern of the tiles, full of flowers and entwining stems, was achieved through the cuerda seca technique, followed by ingenious gilding patterns.     


 
CUMALIKIZIK VILLAGE

Cumalıkızık is a village in the Yıldırım district of Bursa Province, located 10 kilometers east of the city of Bursa, at the foot of Mount Uludağ. Its history goes back to the Ottoman Empire's foundation period. The village is now included within the border of the Yıldırım district as a neighbourhood. Cumalıkızık was founded as a vakıf village. The historical texture of the village has been well protected and the civilian countryside architectural structures of the early Ottoman period are still intact. Because of this, Cumalıkızık has become a popular but still unspoiled center for tourists.

A group of similar villages which are placed close together between the foot of mount Uludağ and the valleys have been called Kızık in Turkish. The name stands for one of the twenty-four clans of the Oghuz Turks and the people from the villages also called Kızık. Similar villages, less well preserved, are Değirmenlikızık, Derekızık, and Hamamlıkızık was the village of the local baths (hamam), and Cumalıkızık was named because people gathered there on Friday (Cuma,  in Turkish) for worship.

The Cumalıkızık ethnography museum in the village's square displays historical objects from the village. Every June there is a raspberry festival. The famous Cumalıkızık houses are made out of wood, adobe, rubblestones. Most of them are triplex houses. The windows upstairs are generally latticed and with a bay window. The handles and knockers on the main entry doors are made of wrought iron. Cobblestone streets are very narrow with no sidewalks, but a typical medieval gutter in the center for rain and waste water.

Cumalıkızık holds 270 historical houses. Some of these houses are in process of restoration and maintenance, and 180 of them are still being used as dwellings.

EDIRNE, GATE OF THRACE

If you woud like to go Troy over Thrace first you are suggested to visit Edirne, 243 km. west of İstanbul. Edirne is lying in the curve generale bay the River Tunca just before merging with the River Meriç in the South-East of Balkan Peninsula called Thrace which is 243 km.far from İstanbul taking 2.5 hr. via  Europa high-way. Edirne, always is a significant center due to its location in the main route connecting Anatolia to Europe showed its major development in the era of Ottoman predominance. It can be thought that the development of the city was influenced negatively because of gaining a location of border city after the invasions faced since 19th century.



As widely admitted, the oldest settlement, in the area in which Edirne is situated now, was established by Odris/Odrisia-one of the Trak tribes in the part where Meriç and Tunca Rivers merge and it is known that Macedonians transformed it into a colony of Orestias. The name Hadrianopolis was given in honour of Roman Emperor Hadrianopolis (117-138) when he refounded the city in the 2nd century, was used as “Edrenos” and “Edrenaboli” in Islamic resources and “Edrene” form was generated during the reign of Sultan Murat I and probably has been used as “Edirne” since 18th century.
During your vaction it is suggested to visit Selimiye Mosque, Old Quarter, Macedonian Tower and Edirne Taşköprü.



SELIMIYE MOSQUE
Without doubt as soon as you arrive there the Selimiye Mosque has to be visited. Built in the 16th century by the architect Mimar Sinan who is regarded as the most famous Ottoman architect of the 16th century. He was the Chief architect for the sultans Suleiman the Magnificent, Selim II and Murad III and designed 374 structures. Sinan is said to have regarded this Selimiye mosque as his greatest work.
The Selimiye mosque is now on the Unesco World heritage list and pretty much the main focus of many visitors to Edirne. The Selimiye mosque is now on the Unesco World heritage list and pretty much the main focus of many visitors to Edirne.

This mosque consists of a rectangular, nearly square prayer hall and on the north side, a courtyard with porticoes. There are three entrances to the courtyard: north, east and west. In the centre of the courtyard is a 12-sided fountain. Each corner of the prayer hall features a minaret nearly 71 m high with three balconies. The balconies of the minarets on the northeast and northwest corners are accessed by three separate staircases.


Inside, the spaces between the walls and the pillars are adorned with galleries; main portal, the mihrab, and the minbar are covered with marble. The walls of the domed space for the mihrab, the walls of the sultan's loge, the tympana of the windows and the spandrels of the women's gallery are decorated with underglaze-painted Iznik tiles.









ÇANAKKALE



After Edirne city program you can drive to Çanakkale where one of the prominant ancient site Troy lies, 262 km. south of Edirne. The city of Canakkale with territories on both sides of the straits called 'Hellespontos' and 'Dardanelles' all through the history, one of the two important sea routes between Asia and Europe, has always possessed a strategic importance in the history of civilization. In Otoman times Canakkale was known as 'Kale-i Sultaniye' or 'Sultaniye Castle' after a massive fort was constructed here in mid 15th Century by Sultan Mehmed II. The name 'Canakkale' used today is most probably from its clay soil very suitable for pottery which means 'canak' in Turkish. This ancient tradition of pottery was always famous in the region and it's still carried on today.







Canakkale, with its natural wonder and historical wealth is one of the unmatched cities of the world. The many times destroyed and rebuilt antique city of Troy, Alxandria Troas, the biggest antique city of Anatolia, which was considered by Empreror Konstantin as the capital of his empire.  Assos where Aristotle one of the most prominent philosopher of the history spent some part of his life, the forts of Babakale, Cimenlik and Kilitbahir, the biggest Turkish island Gökçeada naturally beautiful Bayramic Ayazma and the authentic Bozcaada with its crystal waters, medieval castle and delicious wine.
The first settlement here was around the fort after it was completed. The Romanies first and then the Greeks and Armenians who had worked for the construction and established their quarters around it. After the economical growth in the following centuries the city started becoming an important port and eventually consular and trading-attached offices were established which amounted up to 20 at its peak time.

ANCIENT TROY

Troy was a city, both factual and legendary, located in northwest Anatolia in what is now Turkey, southeast of the Dardanelles and beside Mount Ida. A new city called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually during the Byzantine era.

In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlık and in 1868, Heinrich Schliemann, wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale.
These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hissarlik with Troy, but was persuaded by Calvert and took over Calvert's excavations on the eastern half of the Hissarlik site, which was on Calvert's property. Troy VII has been identified with the Hittite Wilusa, the probable origin of the Greek Troy and is identified with Homeric Troy.
Troia was added to the UNESCO World Heritage list in 1998.


TROJAN WAR LEGEND




The classical legends of the Trojan War developed continuously throughout Greek and Latin literature. In Homer's Iliad and Odyssey, the earliest literary evidence available, the chief stories have already taken shape and individual themes were elaborated later, especially in Greek drama. The story of the Trojan origin, through Aeneas, of Rome helped to inspire Roman interest; book II of Virgil's Aeneid contains the best-known account of the sack of Troy. Finally there are the pseudo-chronicles that go under the names of Dictys Cretensis and Dares Phrygius.


The Trojan War fought between the Greeks and Troy originated in the following manner. King Priam of Troy was wealthy and powerful; by his wife Hecuba and by concubines he had 50 sons and 12 daughters. But his son Paris was invited to judge which of the goddesses Aphrodite, Hera and Athena was entitled to receive the golden apple marked by the goddess Eris "for the most beautiful." Aphrodite promised Paris the most beautiful woman in the world: he therefore awarded her the apple and went to Greece, where he won the love of and eloped with, Helen, wife of Menelaus, the king of Sparta.

To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus' brother, Agamemnon, king of Argos. The Trojans refused to return Helen. The Greeks sacked small towns in or near the Troad, but Troy, assisted by allies from Asia Minor and Thrace, withstood a Greek siege for 10 years. The gods also took sides, notably Hera, Athena, and Poseidon for the Greeks, Apollo and Ares for the Trojans. The Iliad, which is set in the 10th year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of (among others) Achilles' friend Patroclus and Priam's eldest son, Hector.

After Hector's death the Trojans were joined by two exotic allies, Penthesilea, queen of the Amazons, and Memnon, king of the Ethiopians and son of the dawn-goddess Eos. Achilles killed both of these, but Paris then managed to kill Achilles with an arrow. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium) and fetch the arrows of Heracles and the sick archer Philoctetes from Lemnos and Achilles' son Neoptolemus (Pyrrhus) from Skyros; Odysseus and Diomedes achieved all these. Finally, with Athena's help, Epeius built a huge wooden horse. Several Greek warriors hid inside it; the rest of the Greek army sailed away to Tenedos, a nearby island, pretending to abandon the siege. Despite the warnings of Priam's daughter Cassandra, the Trojans were persuaded by Sinon, a Greek who feigned desertion, to take the horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of the Greek leaders were told in two epics, the Returns and Homer's Odyssey.



RUINS OF TROY

Walking through the ancient ruins of Troy and trying to make sense of them can be a challenge. It is a very complex site, excavations having revealed nine civilizations, one built right on top of the other, dating back to the early Bronze Age. Compared with a decent guide book or map of the site and a good imagination.


There are ruins of walls from a number of different periods scattered throughout the site, some include a gate or tower. Part of the foundation of the Greco-Roman Temple of Athena still exists. The best preserved ruin is probably the Roman Odeon where concerts were held, there is also a Bouleterion or senate building. From the period Troy II (2600–2250 BCE) there are the ruins of some houses that belonged to the upper-classes and a great stone ramp that is believed to have led into the city. From Troy VI (17th–15th centuries BCE) there are traces of an ancient sanctuary and a Palace Complex. There are also remains of what is supposedly the Skaean Gate, where Hector and Achilles dueled. On the grounds, a wooden replica of the Trojan horse is on display.

Compared to Ephesus, one of the best-preserved ancient cities on the Mediterranean, the ruins of Troy are a disappointment, but for any fan of Homer or lover of mythology, the trip is well worth your time.



ASSOS

Visting ruins of Troy, it is suggested to drive around 75 km. to the south through to the Behramköy, where Assos ancient city lies.

After leaving the Platonic Academy in Athens, Aristotle went to Assos, where he was welcomed by King Hermias and opened an Academy in this city. Aristotle also married Pythias, the adopted daughter of Hermias. In the Academy of Assos, Aristotle became a chief to a group of philosophers, and together with them, he made innovative observations on zoology and biology. When the Persians attacked Assos, King Hermias was caught and put to death. Aristotle fled to Macedonia, which was ruled by his friend King Philip II of Macedon. There he tutored Philip's son, Alexander the Great.

The city was founded from 1000-900 BC by Aeolian colonists from Lesbos who specifically are said to have come from Methymna. The settlers built a Doric Temple to Athena on top of the crag in 530 BC. From this temple Hermias of Atarneus, a student of Plato, ruled Assos, the Troad and Lesbos for a period of time, under which the city experienced its greatest prosperity. Strangely, Hermias was actually the slave of the ruler of Atarneus. Under his rule, he encouraged philosophers to move to the city. As part of this, in 348 BC Aristotle came here and married King Hermeias's niece, Pythia, before leaving for Lesbos three years later in 345 BC. This 'golden period' of Assos ended several years later when the Persians arrived, and subsequently tortured Hermias to death.
The Persians were driven out by Alexander the Great in 334 BC. Between 241 and 133 BC, the city was ruled by the Kings of Pergamon. However, in 133 BC, the Pergamons lost control of the city as it was absorbed by the Roman empire. St. Paul also visited the city during his third missionary journey through Asia Minor, which was between 53-57 AD, on his way to Lesbos. From this period onwards, Assos shrunk to a small village, as it has remained ever since. Ruins around Assos continue to be excavated. The pillars from the ancient port lay in the harbor for over a millennia. Eventually they were probably sold.

In the early 1900s an attempt was made to move the contents of the Temple of Athena. Much of the art has been moved to museums like the Louvre.The art found includes pictures both of mythical creatures and heraldic events. Many of the old buildings of Assos are in ruins today, but is still active. It still serves as a port for Troad. Temple ruins remain. Down the steep seaward side of the hill at the water's edge is the hamlet called Iskele with old stone houses now serving as inns, pensions and restaurants.
There is a small pebbly beach. There are boat tours and tours of the hamlet itself. Although the one lane road to the hamlet is steep with sheer drops, the sea front has a constant stream of cars and minibuses arriving from dawn to dusk.



RUINS OF ASSOS
 
Acropolis & Temple of Athena: A top the acropolis is the temple of Athena, which was built around 530 B.C. The temple is unusual because some elements are of Doric style but its decorative frieze is characteristic of the Ionic order. The reliefs from the frieze, which depict centaurs, animals, and human figures are in museums in Istanbul, Çanakkale, Paris and Boston.
Assos' spectacular layout is apparent from the acropolis and the view in every direction is stunning. On the east, traces of ancient walls appear above dense shrubs and trees. To the north are the red-tiled roofs of the houses of Behramkale. West and south, the ancient ruins are exposed on a series of terraces below the acropolis. In the distance is the Aegean and the island of Lesbos.

Northwest Wall & Polygonal Wall Continuing the exploration of Assos, descend back through Behramkale and head toward the west gate. The modern road passes a prominent section of the fourth-century wall with several square towers. The wall is discontinuous here but farther along one section incorporates part of an earlier, sixth-century B.C. wall, the polygonal masonry of which stands out in contrast to the rectangular blocks of the later one. Remains of this early polygonal wall have been documented throughout the site. Different masonry types can be used to identify different periods and show how structures are re-used throughout the centuries. More recent recycling is seen in the removal of ancient stone blocks to build houses in Behramkale during the nineteenth and early
The Western Necropolis & the Tomb of Publius Varius The main street on the west side of Assos was lined by burials, and because of this was given the name "Street of Tombs" by the American excavators. Visitors today can walk along its length to the Western gate, through which you'd enter the city in antiquity. Family burial precincts are marked by clusters of andesite sarcophagi. In addition there are a few burials in large ceramic jars or pithoi. Immediately to the left of the gate is the monumental tomb of Publius Varius.

West Wall & Gate Built around the fourth century B.C., the city's strong fortification walls are among its most impressive remains. In the western section, the great walls can be seen clearly from both the acropolis and as you walk up the Street of Tombs. The west gate is a magnificent sight, with the left tower still standing more than 14 m.

Civic Center After entering the west gate, the street passes through the civic center of ancient Assos, which was set on a broad terrace below the acropolis and above the theater. Immediately to the left of the west gate was the gymnasium, where the upper class youths exercised and were taught. Little remains here from a second-century B.C. gymnasium that was possibly an alteration of an older gym where Aristotle once taught. Beyond the gymnasium was a shrine commemorating an unknown hero, the agora and the bouleuterion, dated to the second and third century B.C. The agora at Assos was demarcated by stoas--long, colonnaded buildings that would have held shops and offices--on its north and south sides. To the east, are the foundations of the bouleuterion. The view from the agora of the Aegean and the island of Lesbos is stunning. Below, one sees the theater, which also reaps the benefit of this magnificent vista.

Theater The theater of Assos has a spectacular view of the Aegean and Lesbos. Directly below the south stoa of the agora and perched above the harbor, it could hold some 5,000 spectators. Well-preserved in part, sections of the theater have been reconstructed with concrete blocks.

The Harbor During their excavations in the 1880s, the American crew stayed at the harbor. Francis Bacon wrote of the camels bringing loads of acorns (used for dye) and of making the long hike up to the acropolis several times each day. The harbor today has several small guesthouses and restaurants.


PERGAMON



After having perfect time in Assos with its beautiful view, the route will take you to the one of the well-preserved ancient city Pergamon, famous for its libabry and health center called Asklepion. You can prefer to use coastline way or way to taking 2.5 hr.








When you arrive at Pergamon province you can easily find the way to Pergamon ancient city locating at the top of hill beside city center. By cable car people are taken to top lşke I tried.





Pergamum, was an ancient Greek city in Mysia, today located 26 km from the Aegean Sea became the capital of the Kingdom of Pergamon during the Hellenistic period, under the Attalid reign, 281–133 BC. In the era following the death of Alexander the Great (323 BC), Lysimachus, one of Alexander’s generals, chose Pergamum as the depository for his vast wealth, placing here 9,000 talents of gold under the guardianship of his lieutenant, Philetaerus. King Attalus III bequeathed (133 BC) his domains to the Romans, under whom the city retained its position as the prominent artistic and intellectual center of Anatolia but declined in political and economic importance. The city went through the Arab, Byzantine and finally the Turkish period in the 14C.
Pergamum attained a high culture in the Hellenistic era, boasting an outstanding library that rivaled in importance that of Alexandria, a famous school of sculpture and excellent public buildings and monuments of which the Zeus Altar is the best example. In the Roman period, Pergamum played an important role in the early history of Christianity. It was also numbered among the Seven Churches of Revelation.



RUINS OF PERGAMON



German engineer Carl Humann, who was engaged in building a road in Bergama in 1875 was told that a great quantity of loose stone was available among the ruins at the top of the hill behind the city. That which started as the need for road construction resulted in Humann’s archeological studies and the uncovering of many beautiful pieces including the Zeus Altar and Gateway to the Sanctuary of Athena which were subsequently taken to the Pergamum Museum in Berlin.

Upper Acropolis
Follow the signs to the Akropolis. From the Bergama Museum at the center of Bergama, it's over 5 km to the top of the hill along a narrow road that winds around the hill. The foundations of the monumental buildings of the ancient city cascade down the hill right to the modern city. It used to be possible to hike to the top of the hill through the Gate of Eumenes or by cable car and the various gymnasia and agoras, but the entire archeological site is now enclosed by a fence. If you walk, you must walk along the auto road all the way to the summit a long, hot walk in summer.

As you ascend the hill, note the remains of ancient aqueducts in the valleys to the west and north.
The most prominent building here is the Traianeum, or Temple of Trajan, a huge marble temple that has been partially reconstructed from ruins found on the site. The Trajan temple which was erected on a terrace measuring 68 by 58 m. carved from the hill was reflecting the characteristics of the Roman architectural styles. Due to space limitations on the hill top, the south part of the terrace was built on arched vaults and surrounded by a collonaded portico. The temple was built by Emperor Hadrian and dedicated to Emperor Trajan in the 2nd century AD.
Beside it is the Temple of Athena, also partially reconstructed. Between the Traianeum and Athena temple was Pergamum's famous library of 200,000 volumes. The remains of the temple are located on a large terrace above the thratre and Zeus altar. It was built during the reign of Philetairos in 4th C BC. Athena was the major deith traditionally worshiped in the western Anatolia.
However the Athena temple in Pergamum was directly related to the Parthenon. After the triumphal battles against the Seleucids, Galatians (celts), and Macedonians, Eumenes II adorned the temple with two-storeyed staoas along the east and north sides. The temenos of the Athena temple that was filled with many offerings, was entered through a monumental gate located on the east, Unfortunately only traces of of the foundations are now to be seen on the original site. Some fragments were restored and are now in the Berlin museum.

Behind these to the east are the ruins of numerous dark stone palaces. West of them, carved into the steep hillside, is the dramatic Hellenistic theater.

Theater in the acropolis of Pergamum is the steepest Hellenistic theater in the world. The cavea of the theater which consists of 80 rows of seats is divided into three parts by two diazomas. The capacity was 10,000 people. The construction material is andesite. Because it was originally a Hellenistic theater, there was not a permanent stage building and people sitting on the cavea could see outside and beyond the playing area. In the Hellenistic period, performances were held in a festive atmosphere and took a long time. People spent a lot of time in the theater, usually the minimum of a full day. Therefore, they never wanted to block their view of outside and the stage building, being made of wood, was portable. Square holes at the back of the orchestra were for the portable stage building. The theater was also used during the Roman period with some alterations.
The highest point on the hilltop, now marked by a Turkish flag, was 3rd-century BC arsenals.

Just down the hill from the summit on its own terrace is the site of the Altar of Zeus, now in Berlin. The great Altar, dedicated to Zeus and Athena, was erected by Eumenes II for the commemoration of Pergamum's victory over the Celts by Attalos I. The Altar was constructed on a terrace 25 m lower down the south of Athena Temple and this plan provided a harmonious unity. The frieze of the Altar was depicting the battle between the giants and the gods (Gigantomachy) symbolising the glory of order over chaos. There were also the depictions of Olympian gods and godesses like Leto, Artemis, Apollo, Helios, Poseidon, Amphitrite, Athena and Zeus.





Today only the podium is remaining in situ and hard to visualise the gorgeous altar since it was discovered during a railroad construction around the region, by engineer, Carl Humann in 1871 taken to Germany in pieces and reconstructed and now in exhibiton in Pergamum museum in Berlin.

The Heroon in general, is a shrine dedicated to a deified hero. The Heroon in the Acropolis of Pergamum was the imperial cult or the shrine in which kings of Pergamum, especially Attalus I and Eumenes II, were worshipped.It was a peristyle building made of andesite from the Hellenistic period.

The Sanctuary of Athena was entered through a propylon which was built by Eumenes II. As written in its inscription, it was dedicated to victory-bringing Athena by King Eumenes. The entrance opens into a courtyard surrounded by three stoas of the Doric order. This also dates from the same period. At the corner near the theater was the Athena Temple in Doric order which was built earlier, in the 3C BC. It was built of andesite and stood on a crepidoma with two steps.

Lower Acropolis
The lower part of the Acropolis has the following structures: Upper Gymnasium, middle Gymnasium, lower Gymnasium, temple of Demeter, sanctuary of Hera, house of Attalus, lower Agora and gate of Eumenes.
After having perfect expreiences in Pergamon, it is time to explore the health center Asklepion.


ASKLEPION

The Asklepion, famed with the inscription “Death is forbidden to enter”, gained in prominence under the Romans in the 2nd century AD, but a sacred site existed here as early as the 4th century BC. Many of the treatments employed at Pergamum, in complement with a sacred source of water that was later discovered as having radioactive properties have been used for centuries and are once again finding modern application. The treatments included psychotherapy, massage, herbal remedies, mud and bathing treatments, the interpretation of dreams, and the drinking of water. Quite unlike modern hospitals, everybody who was anybody was dying to get in to the Asklepion: patients included Hadrian, Marcus Aurelius, and Caracalla. But then again, the Asklepion was more like a modern spa than a hospital: therapy included mud baths, music concerts, and doses of water from the sacred fountain. Hours of therapy also probed the meaning of the previous night's dreams, as patients believed dreams recounted a visit by the god Asklepios, who held the key to curing illness. Galen, the influential physician and philosopher who was born in Pergamum in 129 AD, trained and then later became an attendant to the gladiators here.



RUINS OF ASKLEPION

Access to the Asklepeion is via the Sacred Way, which at 807 m. long and colonnaded, originally connected the Asklepeion with the Acropolis. The sacred way becomes the stately Via Tecta near the entrance to the site and leads to a courtyard and fallen Propylaeum or Monumental Gate. Don't miss focusing on  the first courtyard, an altar inscribed with the emblem of modern medicine, the serpent. To the right of the courtyard is the Emperor's Room, which was also used as a library.
The circular domed Temple of Asklepios, with a diameter of 23m (78 ft.), recalls the Pantheon in Rome, which was completed only 20 years earlier.
Reachable through an underground tunnel is what is traditionally called the Temple of Telesphorus, which served as both the treatment rooms and the sleeping chambers, an indication that sleep was integral in the actual healing process.
At various spots in the center of the complex are a total of three pools and fountains, used for bathing, drinking, and various other forms of treatment.
The northern colonnade, with 17 columns still in place, leads from the library to the restored theater, set into the slope of the hill. The theater hosts classical plays during the annual Bergama Festival. The semicircular Roman Theatre flanks the colonnaded promenade on the northwest corner of the site.


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